If Alfred Hitchcock and Little Red Riding Hood were running from snaggle tooth wild boars in the forest, this certainly would be their escape music! Comment by Lynda Faye (The Illinois Harmony Connection) Comment by Lynda Faye (The Illinois Harmony Connection) This is one of the most deeply thought-out emotionally arousing pieces I've ever heard. This ones' going to my classical violinists friends! Comment by Lynda Faye (The Illinois Harmony Connection)Īdriano's Whisperer ought to meet up with Irina Minakova's " Night!" Comment by Lynda Faye (The Illinois Harmony Connection)Ĭatch me if you can I'm here now. This is really going to be refreshing on a hot night in August, yes ?!! Comment by Lynda Faye (The Illinois Harmony Connection) Got to play this at midnight when I can't sleep! Then check for burglars and lock both doors again?! Comment by Lynda Faye (The Illinois Harmony Connection) LyndaFaye says "Play this at midnight, when you can't sleep, then go lock both doors and look for strangers lurking around outside ? But don't go out to find them ha ha ha! Comment by Lynda Faye (The Illinois Harmony Connection) Great orchestration, great soundtrack! Comment by Lynda Faye (The Illinois Harmony Connection)
Genre Soundtrack Comment by Anibal Seminara
It is also a tribute to Lovecraft's "cosmopolitanism".A soundtrack, in a progressive-classical-rock style, of the famous tale by H.P.Lovecraft. Of course, even in a horror microfilm, we also pay attention to the expression of ideological connotations, without showing them too visually, but hiding them in the details of the film, including but not limited to the insinuation of the dangers of religion and cults, the discussion of the relationship between fathers and sons, as well as the homage to Lovecraft's "cosmopolitanism". This fusion and collision of Eastern and Western elements is, in my opinion, a new experiment. In today's world of uniformity, I wanted to try to create the kind of discomfort that the viewer would feel by using highly incongruous elements in the picture. In the short film, the symbols on the villagers' bodies, the strange wall paintings in Lao Fan's house, the jellyfish held in the hands of the black-robed villagers, the inaudible whispers in the darkness, etc., these elements are not only out of place in the popular image of rural China, but also more like a cloud of evil suspicion hanging over the village. Influenced by his novel, I used the village as a symbolic presence to map out the reality of those crazy people, telling the story with a touch of realism.
THE WHISPERER IN DARKNESS STREAM ONLIE PROFESSIONAL
The use of professional actors, whose excellent performances saved me a lot of heartache on set, also made this idea stand out, and as you can see in the finished film, the chemistry created by the addition of this first-person perspective is a welcome one. "The oldest and strongest human emotion is fear, and the oldest and strongest fear is the fear of the unknown", and I think this is why I prefer the horror genre, not limiting myself to the traditional cinematic technique of "Jump Scare I think this is why I prefer the horror genre, which is not limited to the traditional film technique of "Jump Scare", but tries to create a fully immersive atmosphere from the "first person perspective" to give the audience a sense of fear from the inside out. Director‘s Statement Lovecraft in the short story 'The Whisperer in Darkness' which I used as the English title for 'The Black Sheep'.
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